After “unearthing” a bunch of more contemporary shoulda-been-classics on the previous two volumes of the Unearthed series, it was about time for the Viper label to dig out some of the “ancient” reasons why we […]
It’s pretty natural that one of the long awaited garage-revival re-releases comes from one of THE garage-revival labels, making these sounds “get hip’n’happenin’” once again. Among garage fans, mostly known for their involvement in resurrecting […]
Adopting a new band name with every new release really might seem like new devotions. If you ask me, everything is forgiven to the former Datson 4 (and The Datsons before that), as long as […]
I’m not sure if everyone will agree that, according to the “outrageous” studio wizz Matthew Smith, the Outrageous Cherry’s music is taking the band towards “an interstellar bubblegum concept album”, but the definition sounds so […]
As I’ve already said before, the best thing about the parting of the Cosmic Rough Riders and Daniel Wylie is that now we can expect twice as much good music than before! The Cosmics have […]
While buying all the Neil Young re-issues these days, do yourself a favour and add this one to the list. At first, you’ll hardly notice the difference, and after a few listens, you’ll be thinking […]
Even if I can’t understand a word they’re singing (well, maybe a word or two, but still not enough to make sense), it’s always good to hear a band trying to retain the national legacy, […]
Seeing the artist’s own song comments before actually writing a review, always makes it more fun for me, while waiting to hear if I agree with what he/she has to say. In case of Michael […]
Right from the very start, you’ll realize that for Shutdown 66, it’s all shut down before and after 1966, with maybe just a peep or two towards the beginning of ’67 or the end of […]
Elsewhere on these pages, I’ve already stated that the name of Michael Carpenter (here in the producer’s role) could be enough a reason for an album to be way above the average and as he […]
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