The appearance of Jeremy Morris on the American pop scene is an authentic example of the bubble syndrome, isolated from it’s surrounding and at the same time representing it’s essential part. With an impressive list […]
Richard X. Heyman is one of the trubadours of the contemporary New York scene balancing between the statues of an independent pop icon and mainstream artist, whose come-back after two albums from the ’80s/’90s transition […]
If you know your way through the usual modsyke related terminology, I’m sure you’ll have a general idea of what this band is on about. Of course, most of the time that’s where it’s at… […]
This is the debut album of the Austin band Household Names, that started as Jason Garcia’s four track studio-project and transformed into an extremely competent modern-pop release. With an inevitable past-times legacy retrospect, he manages […]
It’s more than evident that there’s an interesting triangle between the three authors that I’m about to mention, even though it may not be consciously meant. There’s Nick Salmon, the British neo-psychedelic pioneer, Oyvind Holm, […]
The Grip Weeds are a rock band! One of a kind that is pretty rare since the beginning of the seventies. With a total concept, based on an authentic “flower-power” image, dated (in the most […]
Making a move from the moodier teen sounds to the much more rhythmic approach would really be a hard one not to make having a She-Moon drummer like Lois of The Embrooks. Also, there’s some […]
The great big homecoming!!! After a whole bunch of great American bands appearing from the mid-’70s up until today, and under the main influence of different kinds of British invasions, here’s a group of British […]
The Fletcher Pratt is one of Rainbow Quartz‘s latest discoveries in their attempt to gather the most competent names of the moderndaze retro-activist movement. This band’s sound concentrates all the energy ever accumulated in Detroit’s […]
Bob Kelly’s basic mission is to squeeze as much as possible into the 2,5 minute audio-space… and he does it wonderfully, sticking his heels deep into the traces of mid-sixteez pop legacy. As for some […]
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