If asked about their favourite contemporary guitar player, I’m pretty sure most of the Shindig crowd would opt for someone less media-exposed, but I just can’t help pointing my finger towards this small face. Had […]
Being what the songwriting part of Canadian power-pop band The Rye Catchers have silently morphed into throughout the years, Danny Echo sticks to “all that is melodic, all that is catchy, and all that is […]
I’m not sure if anyone will back me up on this, but I’d describe Matthew Smith as being the Phil Spector of moderndaze garage punk. Whichever of the ‘60s subgenres he’s tackling, an ever present […]
Had it not been for one of the drummers passing through their ranks, it’s pretty hard to believe that The Magic Mixture re-issue would’ve ever happened. Simon Kirke set behind the drum set for a […]
Apart from an occasional mention in a Pete Frame-like family tree of Traffic, Mott The Hoople, Family or maybe The Blossom Toes, not much has been told about Deep Feeling over the years. The farthest […]
All of this monkey business is being managed by Craig Campbell, and for the occasion, he gathers a line-up of Robots, featuring hired gunslingers such as Chris Jack of The Routes, Andy McGibbon of The […]
One of the several concepts covered by the recently established Erebus Records is to re-issue Japanese late’60-early’70s music, and according to the press release, I’m inclined to believe that it might’ve been inspired by Julian […]
For those in the know, this might as well be considered for a long awaited follow up to the last album by Canadian power-pop stalwarts The Roswells. Not only does the line up of The […]
No less than 13 (!?) years upon 1995’s Inside, one of Sweden’s finest export items is back on the scene with another 30+ minutes of contemporary power-pop jangle, very much indebted to the mid-to-end’60s legacy. […]
Last year, I called Joe’s Only Joe Kane album, one of the most charming DIY releases you’re likely to hear this side of Martin Newell. While being just as DIY, …Some Time Soon After is […]
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