Articles by Garwood Pickjon

Brother Nature is a London based acoustic duo that perfectly fulfils the audio/conceptual hole that Paul Simon and Art Garfunkel left behind them way back in 1970, and also adding a couple of new coordinates […]

A couple of years ago The Churchills have stepped on the scene with their first independent release, tickling the imagination of melody/harmony addicts. Now, with their second album, they’re on their way to open the […]

This is actually a reissue of the self released album from 1999. Probably because the Egg label realized the grandiose talent involved in this hour of creative pop uproar, in the most positive sense. The […]

These days, there aren’t many bands that wear their influences so obviously and still manage to sound so distinctive. The music of Dipsomaniacs can be described in one simple sentence, but this one line opens […]

Fuzzbubble’s album is the perfect example of the successful combination of mainstream rock approach and irresistible melodies that often don’t get much of an understanding from the modern music consuming public. With the perfectly calculated […]

The activity of envoking the spirits of the sixth decade, causes some pretty contrary reactions these days like “senseless retro-purism” on one side or “authentic recreating of the ’60s sound”. On the other. The concept […]

Ever since from Abba, Scandinavia is known as an area whose climate is very favourable for “producing” first class pop music, especially if you exclude the synthesized clones in the favour of the ones delievered […]

The Lucky Bishops’ second long-playing effort offers exactly the same concept as their debut, and it’s mostly about being completely different from anything you’re likely to hear these days. As soon as you check out […]