Being regarded as an underground soul legend, along with fellow Motor City growler Andre Williams, NayDog is back with his first recordings in almost 40 years, displaying a shape that justifies his nickname better than […]
With ArtPop! getting under the Cherry Red roster of labels, here come the first two chapters of the life and “times” of Edward Ball, an ex-and-current Television Personality, and all-round MODernist in the truest sense […]
– Orange & Red Beams From The BBC Archives 1967-1969 – After the appropriately titled introductory release Alphabeat (reviewed elsewhere on these pages) released on his own, just as appropriately titled Top Sounds label, for […]
Being present on the Norwegian scene for more than 20 years now, and with Reefy Seadragon being their first release in several years, Dog Age make their come back an international one, becoming a part […]
– Pop, Psych and Prog Rock 1967-1970 – Anyone aware of the Record Collector mag’s British Psychedelic Trip series should fully agree that a 24-page booklet, assembled by none other than Nigel Lees, the Director […]
– The Complete Pop Psych Sessions 1967-1971 – As put by Stefan Granados in the accompanying liners, “perhaps due to it being recorded at the fag end of the psychedelic pop years in 1970, or […]
With their debut from way back 2002, causing review lines such as “so freaking danceable”, “mod album of the month, “big soulful smile of a party”, The Men, described at the time by the Rolling […]
– Singles And Lost Sessions 1966-1968 – As already proven quite a few times, being at the right place at the right time, doesn’t always mean instant success, or for that matter, any kind of […]
– Hard Soul Hits!, Vol. 1 – Nice’n’most definitely ruff collection of covers providing rock’n’roll in it’s purest, and at the same time dirtiest form, as conceived by Mono Man Dave Crider’s latest project, fronted […]
– 1977-1990 – Being just as much of a historical as it is a musical item, OZ researcher/archivist extraordinaire, Tim Pittman, tells a tale, 36-pages and almost 150 minutes long, about the variety of (sub)genres […]
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