Burning Brides – Leave No Ashes
This album came out at the beginning of last summer. And I would have thought that with all the “endless road” work they did after Fall Of The Plastic Empire was picked up by V2 […]
This album came out at the beginning of last summer. And I would have thought that with all the “endless road” work they did after Fall Of The Plastic Empire was picked up by V2 […]
This record showed up in my mailbox two days after I watched the first round of Bush vs. Kerry. And as I’ve repeatedly noted, I mostly live a life of isolation, but I’ve heard the […]
Because of my miseries this LP is another that has sat around here for a good long while. Enough time for a US CD release (via Dead Beat) to also show up. This is another […]
A good while back Sundazed hit a spurt of albums by bands that never had one in their time. They gathered material from label vaults and semi-forgotten closests. These two acts each had only one […]
In the grand tradition of the Warner/Reprise Loss Leaders cut price samplers Parasol has been doing this series of cheap label samplers on a sort of semi-annual basis. If you take inflation into account at […]
Another record that has sat here for the better part of a year while I try to get back to my usually mundane life. While the start of the Fall were the loveliest days we’ve […]
If Paul Collins’ latter days look, which seems as it could easily secure him a place among the Sopranos cast of characters, isn’t good enough to get this album onto Little Steven’s Underground Garage, there’s […]
Pieced together by, Charles Wallace, for the purpose of providing the musical background for his co-created American Mod movie, about the moderndaze perspective of the mid’60s subculture in question, Headquarters sound exactly like that. A […]
Hailed as “Uncut magazine’s Alt-country album of the month”, Sid Griffin’s long awaited follow up to his ’97 solo debut, offers an intimate audio run through his life. As with The Long Ryders’ paisley underground, […]
There’s really not much more to add to the description on the very cover of the album, informing you that this should be “filed under Australian garage punk”, and it’s delivered by the cream of […]
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